The use of dark marble for doorcases was additionally continued, giving the extensions a level of internal consistency with the older rooms. The classical style was still in use on the National Gallery in 1929, when a Beaux-Arts–style gallery was built, funded by the art supplier and trustee Lord Duveen. However, it was not lengthy earlier than the 20th-century response in opposition to Victorian attitudes turned Picture of Arts manifest at the gallery. From 1928 to 1952, the touchdown floors of Taylor’s entrance hall had been relaid with a new sequence of mosaics by Boris Anrep, who was pleasant with …